José E. Ayarra, órgano
Tomás Marco, a great connoisseur of Manuel Castillo’s oeuvre and personality, has defined this Sevillian master as “the Spanish composer of his generation who has served the organ world the most frequently and with the highest quality” (Manuel Castillo, Transvanguardia y Postmodernidad. Málaga 2003: 74). Marco remarks that between a generation of illustrious musicians such as Cristóbal Halffter, Luis de Pablo, Carmelo Bernaola, Antón García Abril and Tomás Marco himself, “it is absolutely certain” that nobody has written o...+ info
Real Orquesta Sinfónica de Sevilla
Conductor: Juan LuÃs Pérez
MUSIC PROPOSALS FOR THE NEW MILLENIUM ... And Music, ever new, out the most trembling of stones, builds in unusable space its deified house. (R. M. Rilke, Sonnetts to Orpheus). The ambition, depth and international prestige of José María Sánchez-Verdú (*1968) have developed consistently during the years between the composition of his first chamber music works, such as AST-TRIVIUM (1992) and Libro para un quinteto (‘Book for a quintet’, 1994) and his most recent première, Elogio del aire (2007) for violin and orchestra. Since then, the co...+ info
Javier Perianes
By the beginning of the 20th century, the Swedish music world had matured significantly, as can be seen from the work of composers like Natanel Berg, Oscar Lindberg, Kurt Altteberg and another, whose name had a somewhat exotic sound in a country like Sweden: Olallo Morales. Olallo Juan Magnus Morales Wilksman (1874-1957), to give him his full name, was the son of diplomat, astronomer and meteorologist Olallo Morales Lupión (1852-1889) and his Swedish wife, Zelma, who was an accomplished pianist. The Morales-Wilksman marriage also produced other musicians: Zelmica who was a ...+ info

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