Varios
There can be no doubt that the Cante Jondo contest held in Granada during the Corpus celebrations on 13 and 14 June 1922 was an important milestone in the history of flamenco, although some scholars, looking back on it from our current perspective, question the timeliness of its celebration, the organisational model and its restrictive rules. It is true that almost a century later, and having witnessed the course that flamenco has taken over this long journey, some of the premises on which the contest was based could be considered exceedingly alarmist –especially that the purest forms of...+ info
Al Ayre español
Conductor: Eduardo López Banzo
JUAN MANUEL DE LA PUENTE (1692-1753) CANTATAS Y VILLANCICOS Two factors point to Juan Manuel de la Puente as one of the great choirmasters of Jaén Cathedral: his extensive musical work, largely preserved in the Cathedral itself and the interest shown him by musicologists such as Robert Stevenson who said of him "...a credit to the church of Jaén, may his memory live on to be elevated to the place of preference it deserves..." De la Puente was born in Tomelloso (Guadalajara) in 1692 and died in Jaén itself, in 1753. His early years were spent at his birthplace...+ info
Sinfonye
Conductor: Stevie Wishart
THE MUSIC AND PERFORMANCE OF THE CANTIGAS The melodies of Alfonso's Cantigas tend to be more predictable and forward moving in comparison to the cansos of the Troubadours. They are more reminiscent of the provençal dansas with easily memorable, short-ranging phrases which suggest strong metrical feels even short though the rhythm is often ambiguously notated in the Cantigas manuscripts. The musical form of the Cantigas a is remarkably consistent, usually with the second half of the stanza sharing the same melody as the refrain, as in the French virelai. In contrast to this lengthy m...+ info
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