Andalucía en la Música Judeo-Española

Alia Musica

Conductor: Miguel Sánchez

ANDALUCÍA EN LA MÚSICA JUDEOESPAÑOLA   En su acepción estricta, el término sefardí se aplica para designar a los judíos oriundos de España, es decir, los descendientes de los expulsados a finales del siglo XV que han conservado a lo largo del tiempo rasgos culturales hispánicos. En el reducido ámbito del hogar familiar o en las reuniones y celebraciones festivas, sociales y religiosas, ha ido tomando cuerpo, después de la expulsión y fuera de la Península, el repertorio que hoy conocemos como m&u...+ info

Don Chisciotte. Ópera en Dos Actos

Orquesta de Cámara Galega

Conductor: Juan de Udaeta

AGOTADO - SOLD OUT   Manuel García    The tenor, composer, impresario and singing teacher Manuel del Pópulo Vicente García (Seville, 21-I-1775; Paris, 10-VI-1832), was one of the most important figures in nineteenth-century Spanish music. The father of Pauline Viardot-García, María Felicia, the legendary Malibrán, and of Manuel Patricio García, and the inventor of the laryngoscope, he was one of the great personalities in European operatic life of the nineteenth century. Both Rossini’s and Mozart’s favourite perfor...+ info

La Muwassaha

Al Turath Ensemble

THE ANDALUSI WASLAH OF ALEPPO, SYRIA   WASLAH Awaslah is the performance of up to eight muwashshahát (plural of muwashshaha) in succession together with an instrumental introduction. Common to all sections of such a waslah cycle is the principle maqám row, whereby the combination of pieces can comprises the works of several poets and composers. The muwashshah composition played at the beginning of a cycle may have a longer longer wazn than the muwashsahát that follow. A total of 22 waslát (plural of waslah) are known in Aleppo, each of them named according...+ info