Ensemble Al-Ruzafa
Conductor: Hames Bitar
Aleppo: custody of the musical tradition from the Orient. Aleppo is an important trading city and communication cross-point where the most pure traditions of Arabic chant have been preserved. The most characteristic expression of this chant is the vocal improvisations or layali, through which the complete doctrine of maqam was developed into a form of choral music, the qad (alqudud in plural), related to the muaxaha genre, very well-known in Al-Andalus. From the eighteenth century onwards, the muaxaha expanded through the Mid-Orient, particularly in Aleppo, where it is known ...+ info
Real Orquesta Sinfónica de Sevilla
Conductor: Juan LuÃs Pérez
MUSIC PROPOSALS FOR THE NEW MILLENIUM ... And Music, ever new, out the most trembling of stones, builds in unusable space its deified house. (R. M. Rilke, Sonnetts to Orpheus). The ambition, depth and international prestige of José María Sánchez-Verdú (*1968) have developed consistently during the years between the composition of his first chamber music works, such as AST-TRIVIUM (1992) and Libro para un quinteto (‘Book for a quintet’, 1994) and his most recent première, Elogio del aire (2007) for violin and orchestra. Since then, the co...+ info
Orquesta de Córdoba
Conductor: José Luis Temes
JOSÉ MUÑOZ MOLLEDA: WORKS FOR ORCHESTRA In strictly chronological terms, José Muñoz Molleda must be considered a member of the so-called Generation of 27 (also the Silver Generation or the Generation of the Republic), because he borra in the sarne year (1905) as for example Ernesto Halffter, Emilio Lehmberg and Jesús Bal y Gay. Then, he was a year older than Gustavo Pittaluga and Simón Tapia-Colman (1906) and a little younger than Jesús García Leoz (1904), Evaristo Fernández Blanco and Rosa García Ascot (1902), Arturo D&...+ info
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