MarÃa Esther Guzmán, guitarra
AN EVENTFUL LIFE Julián Gabino Arcas Lacal was bo.rn in María (Almería) on 25th October 1832. His father, Pedro Arcas, was a good amateur guitarist who followed the work of Dionisio Aguado and his school. At an early age he was to start teaching his sons Julian and Manuel, both of whom immediately showed a natural affinity for the instrument. When Julián is 12, the Arcas family moves to a Malaga, perhaps attracted by the economic boom the city was then experiencing. Here, he is taught by José Asencio, Dionisio Aguado's favourite guitarrist, who was capitali...+ info
Marta Almajano, Soprano
Juan Carlos Rivera, Vihuela
Luys de Narváez "Los seis libros del Delphin" The six books of the Dolphin of music in ciphers for playing the Vihuela. By Luys de Narbaez. Dedicated to the most Illustrious Lord, Don Francisco de los Cobos, Comendador Mayor of León, Adelantado of his Imperial Majesty, and this first book deals with the eight modes for playing on diverse parts of the Vihuela. MDXXXVIII. With Imperial Privilege for Castile & Aragon & Valencia & Catalonia for ten years. Under this title the Granadine vihuelist Luis de Narváez published his book of vihuela mu...+ info
Ernesto Palacios
THE SONGS OF MANUEL GARCIA Manuel del Pópulo Vicente García can only be considered a legend in his own time. A nineteenth century legend in the widest sense of the word. A century and a half ago, the stars of the Italian bel canto (both composers and singers), the German symphonic and Polish and Bohemian piano schools were highly revered and it was in Paris that they consummated their international acclaim. However in the Paris of the 1830's, Spanish music was also revered, and, in general, all that originated in Spain's period of fiery Romanticism. Paris was also where the Sev...+ info

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