Orquesta Ciudad de Granada
MUSICAL `ALHAMBRISMO' IN NINETEENTH-CENTURY SPAIN More than a fully-developed style entity, Alhambrismo in nineteenth-century music was a fashion, a type of "sound" which can be linked with a tendency towards the picturesque and the recreation of the mood of Spanish music of the first half of the nineteenth century. The Picturesque had opened its doors on two trends in European orchestral music: northern idealism asseen in Fingal's cave by Mendelssohn, and the Orientalism of The Desert by David, which was followed later in works by Massenet and Saint-Saëns. Historically, Spain was co...+ info
Juan Carlos Garvayo
Una Iberia para Albéniz is the result of custom made by the Spanish Association of Classical Music Festivals (FestClásica) to twelve Spanish composers: Fernando Buide del Real, Zulema de la Cruz, Gabriel Erkoreka, Miguel Gálvez-Taroncher, José García Román, Pilar Jurado, Marisa Stained, Hector Parra, David del Puerto, Mauricio Sotelo, Jesús Torres and José Luis Turina, to mark the double anniversary of the birth and death the brilliant composer and pianist Isaac Albéniz (1860-1909) in 2009 and 2010. Based on the twelve tracks that ...+ info
Javier Perianes
By the beginning of the 20th century, the Swedish music world had matured significantly, as can be seen from the work of composers like Natanel Berg, Oscar Lindberg, Kurt Altteberg and another, whose name had a somewhat exotic sound in a country like Sweden: Olallo Morales. Olallo Juan Magnus Morales Wilksman (1874-1957), to give him his full name, was the son of diplomat, astronomer and meteorologist Olallo Morales Lupión (1852-1889) and his Swedish wife, Zelma, who was an accomplished pianist. The Morales-Wilksman marriage also produced other musicians: Zelmica who was a ...+ info
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