Esparzas, Susurros y Sueños

Cuarteto Play Four

The group “Play Four” started in 2010 with the opportunity to perform music composed for them by several women composers who attended the Cadiz Festival of Spanish Music. Their amazing skill made it possible for them to consolidate their position as a stable ensemble capable of performing any piece of music from the Standard Classical, Contemporary Classical and of course, Spanish repertories either written for this group or pre-existing. History has often ignored women. In the field of music, they are recognized as performers, teachers and it is women who impart folk and oral t...+ info

La Música de Al-Andalus

Ensemble Al-Ruzafa

Conductor: Hames Bitar

Aleppo: custody of the musical tradition from the Orient.   Aleppo is an important trading city and communication cross-point where the most pure traditions of Arabic chant have been preserved. The most characteristic expression of this chant is the vocal improvisations or layali, through which the complete doctrine of maqam was developed into a form of choral music, the qad (alqudud in plural), related to the muaxaha genre, very well-known in Al-Andalus.   From the eighteenth century onwards, the muaxaha expanded through the Mid-Orient, particularly in Aleppo, where it is known ...+ info

En la Alhambra

Orquesta Ciudad de Granada

MUSICAL `ALHAMBRISMO' IN NINETEENTH-CENTURY SPAIN More than a fully-developed style entity, Alhambrismo in nineteenth-century music was a fashion, a type of "sound" which can be linked with a tendency towards the picturesque and the recreation of the mood of Spanish music of the first half of the nineteenth century. The Picturesque had opened its doors on two trends in European orchestral music: northern idealism asseen in Fingal's cave by Mendelssohn, and the Orientalism of The Desert by David, which was followed later in works by Massenet and Saint-Saëns. Historically, Spain was co...+ info