PIANOLA: PORTRAIT OF A MUSICAL WONDER Its ancestors For centuries; the ability to enjoy music without the effort of learning the associated necessary techniques has been a chief motivation for many inventors, inspiring them to create different forms of music mechanization. The treatise La Tonotechnie ou l'art de noter les cylinders, written in 1775 by the Augustinian monk Domingo Engranelle, shows evidence of this motivation. His work served as a theoretical fundament for several subsequent inventions, including the mechanical instruments that preceded the pianola. Several of t...+ info
The Hilliard Ensemble
The "Mille Regretz" Mass by Morales There are three printed sources of this Mass. The oldest is dated 1544 and comes from Rome; the second, printed in 1545, from Lyon and finally, that of 1568 is from Wittenberg. There is also a manuscript of the work in the Sistine Chapel in Rome which appears to coincide with the Wittenberg edition. Here, the "Mille Regretz" mass is attributed to the composer Thomas Crecquillon. In Spain there are five ancient copies of this Mass. They can be found in Barcelona (Cataluña and Orfeón Catalán Libraries), Madrid (Medinaceli Libra...+ info
Javier Perianes
By the beginning of the 20th century, the Swedish music world had matured significantly, as can be seen from the work of composers like Natanel Berg, Oscar Lindberg, Kurt Altteberg and another, whose name had a somewhat exotic sound in a country like Sweden: Olallo Morales. Olallo Juan Magnus Morales Wilksman (1874-1957), to give him his full name, was the son of diplomat, astronomer and meteorologist Olallo Morales Lupión (1852-1889) and his Swedish wife, Zelma, who was an accomplished pianist. The Morales-Wilksman marriage also produced other musicians: Zelmica who was a ...+ info
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