Obra para Órgano - Manuel Castillo (1930-2005)

José E. Ayarra, órgano

Tomás Marco, a great connoisseur of Manuel Castillo’s oeuvre and personality, has defined this Sevillian master as “the Spanish composer of his generation who has served the organ world the most frequently and with the highest quality” (Manuel Castillo, Transvanguardia y Postmodernidad. Málaga 2003: 74). Marco remarks that between a generation of illustrious musicians such as Cristóbal Halffter, Luis de Pablo, Carmelo Bernaola, Antón García Abril and Tomás Marco himself, “it is absolutely certain” that nobody has written o...+ info

Don Chisciotte. Ópera en Dos Actos

Orquesta de Cámara Galega

Conductor: Juan de Udaeta

AGOTADO - SOLD OUT   Manuel García    The tenor, composer, impresario and singing teacher Manuel del Pópulo Vicente García (Seville, 21-I-1775; Paris, 10-VI-1832), was one of the most important figures in nineteenth-century Spanish music. The father of Pauline Viardot-García, María Felicia, the legendary Malibrán, and of Manuel Patricio García, and the inventor of the laryngoscope, he was one of the great personalities in European operatic life of the nineteenth century. Both Rossini’s and Mozart’s favourite perfor...+ info

Obras para Violoncello y Piano. Tríos 1 & 2

Oscar Martín, Piano, Trino Zurita, Violoncello, Miguel Romero, Violín

Manuel castillo Navarro-Aguilera was born in Sevilla in 1930. He displayed musical talent at an early age both as a pianist and as a composer. He studied in Sevilla with Norberto Almandoz (Chapel Master at the Cathedral) and in Madrid with A. Lucas Moreno (piano) and Conrado del Campo (composition). He was awarded the Joaquin Turina Prize when he was only 19, and at 21 he debuted as a pianist with the Bética Chamber Orchestra. He continued his studies in Paris with Lazare Levy (piano) and Nadia Boulanger (composition) and, after his return to Spain, he got a professorship at the Seville...+ info