Obra para Órgano - Manuel Castillo (1930-2005)

José E. Ayarra, órgano

Tomás Marco, a great connoisseur of Manuel Castillo’s oeuvre and personality, has defined this Sevillian master as “the Spanish composer of his generation who has served the organ world the most frequently and with the highest quality” (Manuel Castillo, Transvanguardia y Postmodernidad. Málaga 2003: 74). Marco remarks that between a generation of illustrious musicians such as Cristóbal Halffter, Luis de Pablo, Carmelo Bernaola, Antón García Abril and Tomás Marco himself, “it is absolutely certain” that nobody has written o...+ info

Alqibla

Real Orquesta Sinfónica de Sevilla

Conductor: Juan Luís Pérez

MUSIC PROPOSALS FOR THE NEW MILLENIUM ... And Music, ever new, out the most trembling of stones, builds in unusable space its deified house. (R. M. Rilke, Sonnetts to Orpheus).   The ambition, depth and international prestige of José María Sánchez-Verdú (*1968) have developed consistently during the years between the composition of his first chamber music works, such as AST-TRIVIUM (1992) and Libro para un quinteto (‘Book for a quintet’, 1994) and his most recent première, Elogio del aire (2007) for violin and orchestra. Since then, the co...+ info

La Música de Al-Andalus

Ensemble Al-Ruzafa

Conductor: Hames Bitar

Aleppo: custody of the musical tradition from the Orient.   Aleppo is an important trading city and communication cross-point where the most pure traditions of Arabic chant have been preserved. The most characteristic expression of this chant is the vocal improvisations or layali, through which the complete doctrine of maqam was developed into a form of choral music, the qad (alqudud in plural), related to the muaxaha genre, very well-known in Al-Andalus.   From the eighteenth century onwards, the muaxaha expanded through the Mid-Orient, particularly in Aleppo, where it is known ...+ info