Yo que soy contrabandista

Ernesto Palacios

THE SONGS OF MANUEL GARCIA Manuel del Pópulo Vicente García can only be considered a legend in his own time. A nineteenth century legend in the widest sense of the word. A century and a half ago, the stars of the Italian bel canto (both composers and singers), the German symphonic and Polish and Bohemian piano schools were highly revered and it was in Paris that they consummated their international acclaim. However in the Paris of the 1830's, Spanish music was also revered, and, in general, all that originated in Spain's period of fiery Romanticism. Paris was also where the Sev...+ info

Maestros Andaluces en Nueva España

Cappella Mediterranea

Music and Andalusian musicians in New Spain   The musical links between New Spain and Andalusia have existed since the earliest days of the discovery and the conquest. Surely that "maese Pedro, he of the harp ", mentioned by Bernal Diaz del Castillo upon arriving on American soil with Hernán Cortés’ troops, was a member of the first group of Andalusians who came to settle in the newly-conquered America. But the passing of time, particularly after the foundation of new cities and the construction of their cathedrals, brought closer the links with the music of Andalusi...+ info

José Muñoz Molleda

Orquesta de Córdoba

Conductor: José Luis Temes

JOSÉ MUÑOZ MOLLEDA: WORKS FOR ORCHESTRA In strictly chronological terms, José Muñoz Molleda must be considered a member of the so-called Generation of 27 (also the Silver Generation or the Generation of the Republic), because he borra in the sarne year (1905) as for example Ernesto Halffter, Emilio Lehmberg and Jesús Bal y Gay. Then, he was a year older than Gustavo Pittaluga and Simón Tapia-Colman (1906) and a little younger than Jesús García Leoz (1904), Evaristo Fernández Blanco and Rosa García Ascot (1902), Arturo D&...+ info