Ensemble Awtar-Tilimsem
There is a very significant fragment of the poem written by Ismá'il b. Bard when he asked 'Abd al-Hamid b. Basil for a lute, and was given an old instrument: You were very generous to send me a lute that belonged to the family of al-Waid. Generation after generation mended it with their hands. It is Co me like a lute of mosaic. The spiders wove over it for they thought it a vestige of a building in ruins. This lute is like effaced lines, like the remains of the ink of beautiful calligraphy. (AI-Kattáni (1029): Kitab al-tasbihiát mi...+ info
Orquesta de Córdoba
Conductor: José Luis Temes
JOSÉ MUÑOZ MOLLEDA: WORKS FOR ORCHESTRA In strictly chronological terms, José Muñoz Molleda must be considered a member of the so-called Generation of 27 (also the Silver Generation or the Generation of the Republic), because he borra in the sarne year (1905) as for example Ernesto Halffter, Emilio Lehmberg and Jesús Bal y Gay. Then, he was a year older than Gustavo Pittaluga and Simón Tapia-Colman (1906) and a little younger than Jesús García Leoz (1904), Evaristo Fernández Blanco and Rosa García Ascot (1902), Arturo D&...+ info
Orquesta Filarmónica de Málaga
Conductor: Juan de Udaeta
The composer Francisco Alonso, who in his time was known as ‘maestro Alonso’, belongs to the second generation of twentieth century Spanish composers of theatre music. This group of composers, better known as the ‘Generation of the Masters’, includes such eminent figures as José María Usandizaga, José Padilla, Juan Vert, Reveriano Soutullo, Federico Moreno Torroba, Jacinto Guerrero, Pablo Sorozábal, Conrado del Campo and Jesús Guridi, amongst others. They each left a large amount of theatre music, resulting in one of the most productiv...+ info

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