La Muwassaha

Al Turath Ensemble

THE ANDALUSI WASLAH OF ALEPPO, SYRIA   WASLAH Awaslah is the performance of up to eight muwashshahát (plural of muwashshaha) in succession together with an instrumental introduction. Common to all sections of such a waslah cycle is the principle maqám row, whereby the combination of pieces can comprises the works of several poets and composers. The muwashshah composition played at the beginning of a cycle may have a longer longer wazn than the muwashsahát that follow. A total of 22 waslát (plural of waslah) are known in Aleppo, each of them named according...+ info

El Delfín de Música

Marta Almajano, Soprano

Juan Carlos Rivera, Vihuela

Luys de Narváez "Los seis libros del Delphin"   The six books of the Dolphin of music in ciphers for playing the Vihuela. By Luys de Narbaez. Dedicated to the most Illustrious Lord, Don Francisco de los Cobos, Comendador Mayor of León, Adelantado of his Imperial Majesty, and this first book deals with the eight modes for playing on diverse parts of the Vihuela. MDXXXVIII. With Imperial Privilege for Castile & Aragon & Valencia & Catalonia for ten years.   Under this title the Granadine vihuelist Luis de Narváez published his book of vihuela mu...+ info

I Concurso de

Varios

There can be no doubt that the Cante Jondo contest held in Granada during the Corpus celebrations on 13 and 14 June 1922 was an important milestone in the history of flamenco, although some scholars, looking back on it from our current perspective, question the timeliness of its celebration, the organisational model and its restrictive rules. It is true that almost a century later, and having witnessed the course that flamenco has taken over this long journey, some of the premises on which the contest was based could be considered exceedingly alarmist –especially that the purest forms of...+ info